::: free receipts :::
01-30 / 11/26
after SOPHIE XEON’s
HEAV3N
SUSPENDED
throatfolding
my shop is the face I front
01-30-21
109 in. x 2.25 in.
these pearls of fire
are the mouths
of a mute moon
these tongues
are grafted from nerves
of soundless rivers
there are still songs
beyond our voices
suspended heavens
to be unsung
read about and listen to SOPHIE XEON
- PC Music, Accelerationism, and Xenofeminism
- Anti-Hauntology
- ‘I’ can make you feel better
- Remembering SOPHIE’s radical futurism
- The Xenofeminist Manifesto
- r/PCMusic / r/SOPHIE
- labels numbers, PC Music, Transgressive
heatflow’s
(pay what you can & get copies for friends!)
(helps cover shipping)
(helps cover shipping & materials)
(covers shipping, materials & etc. projects!)
11-26-22
24 stickers (3 in. x 2.25 in.)
50 copies
how much of the city
can you cover?
the tree is a reaching river
see heatflow’s photography & writing
puddlethumb’s
(pay what you can & get copies for friends!)
(helps cover shipping)
(helps cover shipping & materials)
(covers shipping, materials & etc. projects!)
1-1-23
34 in. x 2.25 in.
50 copies
see 84000
Sara Lefsyk’s
I draw a fake effigy. “Who let us into hell?” It says.
(pay what you can & get copies for friends!)
(helps cover shipping)
(helps cover shipping & materials)
(helps cover shipping, materials & projects)
1-15-24
70 in. x 2.25 in.
100 copies
With the shrieks of 10,000 Angels, Sara’s poem forces 10,000 insurance companies to fall to their knees in terror at meeting “ the daughter of a solitary fish” speaking with the language of “a small but savage town.”
My diagnosis included writes in a
sad penmanship about ordinary things.
When they found me typing love
letters to a pack of wild dogs,
my diagnosis was unattainable.
When they found me scraping
my ugly little teeth against the
pavement, my diagnosis was
dental. When they sent me to
the actual dentist, my diagnosis
was an eight-fold path.
No one could tell me anything
because my diagnosis was small
and vegetal.
When my diagnosis was glass-jar
heart, the treatments were: wild
hare, water of rye and water of
snake.
My diagnosis was a never-
ending receipt.
read the full text of I draw a fake effigy. “Who let us into hell?” It says.
see Sara’s Ethel Zine & Micro Press
my shop is the face I front
01-30-21
109 in. x 2.25 in.
these pearls of fire
are the mouths
of a mute moon
these tongues
are grafted from nerves
of soundless rivers
there are still songs
beyond our voices
suspended heavens
to be unsung
read about and listen to SOPHIE XEON
- PC Music, Accelerationism, and Xenofeminism
- Anti-Hauntology
- ‘I’ can make you feel better
- Remembering SOPHIE’s radical futurism
- The Xenofeminist Manifesto
- r/PCMusic / r/SOPHIE
- labels numbers, PC Music, Transgressive
heatflow’s
11-26-22
24 stickers (3 in. x 2.25 in.)
50 copies
how much of the city
can you cover?
the tree is a reaching river
see heatflow’s photography & writing
puddlethumb’s
1-1-23
34 in. x 2.25 in.
50 copies
see 84000
Sara Lefsyk’s
I draw a fake effigy. “Who let us into hell?” It says.
1-15-24
70 in. x 2.25 in.
100 copies
With the shrieks of 10,000 Angels, Sara’s poem forces 10,000 insurance companies to fall to their knees in terror at meeting “ the daughter of a solitary fish” speaking with the language of “a small but savage town.”
My diagnosis included writes in a
sad penmanship about ordinary things.
When they found me typing love
letters to a pack of wild dogs,
my diagnosis was unattainable.
When they found me scraping
my ugly little teeth against the
pavement, my diagnosis was
dental. When they sent me to
the actual dentist, my diagnosis
was an eight-fold path.
No one could tell me anything
because my diagnosis was small
and vegetal.
When my diagnosis was glass-jar
heart, the treatments were: wild
hare, water of rye and water of
snake.
My diagnosis was a never-
ending receipt.
read the full text of I draw a fake effigy. “Who let us into hell?” It says.
see Sara’s Ethel Zine & Micro Press