betweenthehighway
receipt publisher
food insecurity non-prophet
if you’re not walking between the highway to sell, carry, breathe & shed soft deaths, it can be easy to forget you’re living in the managed decline of our Global Capital Empire. betweenthehighway developed out of conversations with those dealing with food & home insecurity between highway 54 in Carrboro, NC.
betweenthehighway publishes 3-5 receipts every June 17th as well as free receipts on January 30th and November 24th.
beyond contemporary writing, betweenthehighway publishes excerpts of Cleveland publisher and poet d.a.levy.
after production costs, all profits go towards authors and food insecurity.
learn more from our FAQ
check out our collaborative WIKI
share your thoughts on our receipts
in an old forum or as a RE-VIEW
for any inquiry,
including submissions, book exchanges, and questions
write to betweenthehighway@gmail.com
receipt publisher
food insecurity non-prophet
if you’re not walking between the highway to sell, carry, breathe & shed soft deaths, it can be easy to forget you’re living in the managed decline of our Global Capital Empire. betweenthehighway developed out of conversations with those dealing with food & home insecurity between highway 54 in Carrboro, NC.
betweenthehighway publishes 3-5 receipts every June 17th as well as free receipts on January 30th and November 24th.
beyond contemporary writing, betweenthehighway publishes excerpts of Cleveland publisher and poet d.a.levy.
after production costs, all profits go towards authors and food insecurity.
learn more from our FAQ
check out our collaborative WIKI
share your thoughts on our receipts
in an old forum or as a RE-VIEW
for any inquiry,
including submissions, book exchanges, and questions
write to betweenthehighway@gmail.com
::: S3 ::: receipts
08-13-2023
Daniel Flosi’s
53 in. x 2.25 in.
edition of 200
“i don’t know how to sit with the living”
...walked as much as written, this long
poem swells along the page like the voice
of morning grass in the mouth of a drying
river that knows loss is gradual and even.
Daniel J Flosi is the founder of Black
Stone / White Stone Zine and author
of the chapbook Cries, the Midnight Sky
(Bullshit Lit, 2023).
Pragya Vishnoi’s
174 in. x 2.25 in.
edition of 200
Formed across years of feedback
between the author and editor, this
collection of poems begins by visiting
the holy city of Varanasi with a lover
and concludes by returning to Varanasi
to cremate a lover.
Pragya Vishnoi lives in India and her
work has been published in Rattle Magazine
and forthcoming in the I-70 Review,
Canthius and BoomerLitMag.
Madison Krob’s
40 in. x 2.25 in.
edition of 200
"The bunny believes in letting things go."
This essay jumps between the small
dreams of sports and art in Midwestern
small towns and a 200 ft. plush pink
bunny decaying into the Italien countryside.
Madison Krob is in the internet-age
space of storytelling. Her work interacts
with virtual reality and the weird things
you find in your grandmother's basement.
In addition to her website, she can be
reached visually at @maddykrob
on Instagram.
Ruth Jeffers’
40 in. x 2.25 in.
edition of 200
Three excerpts from "Bodies of Salt"—a
record of her five months in Palestine as
a student and volunteer—these brief
essays are for Emad and Mohammed,
“who awoke me to the beauty and injustice
occurring in occupied Palestine. This
story is for them and every Palestinian
who showed me endless generosity
as I witnessed their homeland.”
Ruth has lived in North Carolina most of
her life, but she likes to write about the
times when she didn’t. She currently lives
in Carrboro and cares for rescued farm
animals.
alex benedict’s
218 in. x 2.25 in.
edition of 300
An ode to d.a.levy and Northeast Ohio,
this poem follows an attempt to return,
make offerings and listen, visualize
and take vows, and wander cloud bridges
or, more often, endless asphalt
and concrete. Just as levy challenged
the concrete reality of Cleveland,
this ode is a struggle to thoroughly
investigate the reality of the highway
as a gate of liberation.
alex benedict runs betweenthehighway.
Currently, he lives in the Cuyahoga Valley
as he writes a full biography of Cleveland
publisher and poet d.a.levy.
read excerpts of books here
if you are unable to pay, we exchange!
share book exchange ideas with
betweenthehighway@gmail.com
53 in. x 2.25 in.
edition of 200
“i don’t know how to sit with the living”
...walked as much as written, this long
poem swells along the page like the voice
of morning grass in the mouth of a drying
river that knows loss is gradual and even.
Daniel J Flosi is the founder of Black
Stone / White Stone Zine and author
of the chapbook Cries, the Midnight Sky
(Bullshit Lit, 2023).
Pragya Vishnoi’s
174 in. x 2.25 in.
edition of 200
Formed across years of feedback
between the author and editor, this
collection of poems begins by visiting
the holy city of Varanasi with a lover
and concludes by returning to Varanasi
to cremate a lover.
Pragya Vishnoi lives in India and her
work has been published in Rattle Magazine
and forthcoming in the I-70 Review,
Canthius and BoomerLitMag.
Madison Krob’s
40 in. x 2.25 in.
edition of 200
"The bunny believes in letting things go."
This essay jumps between the small
dreams of sports and art in Midwestern
small towns and a 200 ft. plush pink
bunny decaying into the Italien countryside.
Madison Krob is in the internet-age
space of storytelling. Her work interacts
with virtual reality and the weird things
you find in your grandmother's basement.
In addition to her website, she can be
reached visually at @maddykrob
on Instagram.
Ruth Jeffers’
40 in. x 2.25 in.
edition of 200
Three excerpts from "Bodies of Salt"—a
record of her five months in Palestine as
a student and volunteer—these brief
essays are for Emad and Mohammed,
“who awoke me to the beauty and injustice
occurring in occupied Palestine. This
story is for them and every Palestinian
who showed me endless generosity
as I witnessed their homeland.”
Ruth has lived in North Carolina most of
her life, but she likes to write about the
times when she didn’t. She currently lives
in Carrboro and cares for rescued farm
animals.
alex benedict’s
218 in. x 2.25 in.
edition of 300
An ode to d.a.levy and Northeast Ohio,
this poem follows an attempt to return,
make offerings and listen, visualize
and take vows, and wander cloud bridges
or, more often, endless asphalt
and concrete. Just as levy challenged
the concrete reality of Cleveland,
this ode is a struggle to thoroughly
investigate the reality of the highway
as a gate of liberation.
alex benedict runs betweenthehighway.
Currently, he lives in the Cuyahoga Valley
as he writes a full biography of Cleveland
publisher and poet d.a.levy.
read excerpts of books here
if you are unable to pay, we exchange!
share book exchange ideas with
betweenthehighway@gmail.com
::: S2 ::: receipts
06-17-2022
Tommy Noell’s
102 in. x 2.25 in.
grandfather and former Death Row
inmate Tommy Noell’s call to action
for America’s working class
as well as poems in conversation
reading a poem for Tommy Noell
Tommy Noell’s Return from Falcon Prison: Death Row along an Invisible Street
puddlethumb’s
120 in. x 2.25 in.
skandha scaffolds
based on Shiraishi Chieko’s Shikawatari
and Stephen Ratcliffe’s REAL
reading under an underpass
Nick Felaris (CODEX) & puddlethumb’s
112 in. x 2.25 in.
feedback loop
between poems and graffiti
reading across from a police station
Joey Puckett’s
52 in. x 2.25 in.
Chapter D.4
learn how to ROTC binge drink
not far from Chris Farley’s tomb
reading under an underpass
Alexandre Ferrere’s
46 in. x 2.25 in.
pressing leaves into asphalt
abandon yourself
reading across from a police station
available excerpts:
I do not understand!
mindloitered mettaboding scarabs
three refuges & four vows
have you been eaten by the hawk?
rheomode instructions
imagine the weight of the highway
read about our authors
read excerpts of books here
if you are unable to pay, we do exchanges.
share an exchange idea!
betweenthehighway@gmail.com
102 in. x 2.25 in.
grandfather and former Death Row
inmate Tommy Noell’s call to action
for America’s working class
as well as poems in conversation
reading a poem for Tommy Noell
Tommy Noell’s Return from Falcon Prison: Death Row along an Invisible Street
puddlethumb’s
120 in. x 2.25 in.
skandha scaffolds
based on Shiraishi Chieko’s Shikawatari
and Stephen Ratcliffe’s REAL
reading under an underpass
Nick Felaris (CODEX) & puddlethumb’s
112 in. x 2.25 in.
feedback loop
between poems and graffiti
reading across from a police station
Joey Puckett’s
52 in. x 2.25 in.
Chapter D.4
learn how to ROTC binge drink
not far from Chris Farley’s tomb
reading under an underpass
Alexandre Ferrere’s
46 in. x 2.25 in.
pressing leaves into asphalt
abandon yourself
reading across from a police station
available excerpts:
I do not understand!
mindloitered mettaboding scarabs
three refuges & four vows
have you been eaten by the hawk?
rheomode instructions
imagine the weight of the highway
read about our authors
read excerpts of books here
if you are unable to pay, we do exchanges.
share an exchange idea!
betweenthehighway@gmail.com
::: S1 ::: receipts
11-26-2021
beumuth’s
63 in. x 2.25 in.
on the road to rehumanization
unattending human-capital redeployments
all proceeds to 84,000 translation project
Nate Hoil’s
40 in. x 2.25 in.
collage of rebirth stories
reading from across a police station
puddlethumb’s
119 in. x 2.25 in.
if Buddha's silence empties suffering,
the slaughterhouse empties language;
dying piece by piece, cattle's blood
drains quicker with a beating heart
reading from across a police station
available excerpts:
BURNING RIVER PERMIT
Variation on Yoko’s Grapefruit Questionnaire
NAMU AMIDA BUTSU
barcodes
dialogue from Master Dogen’s Schobogenzo
one object
read about our authors
read excerpts of books here
if you are unable to pay, we do exchanges.
share an exchange idea!
betweenthehighway@gmail.com
63 in. x 2.25 in.
on the road to rehumanization
unattending human-capital redeployments
all proceeds to 84,000 translation project
Nate Hoil’s
40 in. x 2.25 in.
collage of rebirth stories
reading from across a police station
puddlethumb’s
119 in. x 2.25 in.
if Buddha's silence empties suffering,
the slaughterhouse empties language;
dying piece by piece, cattle's blood
drains quicker with a beating heart
reading from across a police station
available excerpts:
BURNING RIVER PERMIT
Variation on Yoko’s Grapefruit Questionnaire
NAMU AMIDA BUTSU
barcodes
dialogue from Master Dogen’s Schobogenzo
one object
read about our authors
read excerpts of books here
if you are unable to pay, we do exchanges.
share an exchange idea!
betweenthehighway@gmail.com