betweenthehighway


receipt publisher 
food insecurity non-prophet



if you’re not walking between the highway to sell, carry, breathe & shed soft deaths, it can be easy to forget you’re living in the managed decline of our Global Capital Empire. betweenthehighway developed out of conversations with those dealing with food & home insecurity between highway 54 in Carrboro, NC.

betweenthehighway publishes 3-5 receipts every June 17th as well as free receipts when occasion demands. 

beyond contemporary writing, betweenthehighway publishes excerpts of Cleveland publisher and poet d.a.levy.

after production costs, all profits go towards authors and food insecurity.


learn more from our FAQ

check out our collaborative WIKI


share your thoughts on our receipts
in an old forum or as a RE-VIEW


for any inquiry,
including submissions, book exchanges, and questions
write to betweenthehighway@gmail.com
::: S3 ::: receipts
08-13-2023

Daniel Flosi’s 




53 in. x 2.25 in. 

edition of 200



          “i don’t know how to sit with the living”
          ...walked as much as written, this long
          poem swells along the page like the voice
          of morning grass in the mouth of a drying
          river that knows loss is gradual and even.



          Daniel J Flosi is the founder of Black
          Stone / White Stone Zine and author
          of the chapbook Cries, the Midnight Sky
          (Bullshit Lit, 2023).






Pragya Vishnoi’s




174 in. x 2.25 in. 

edition of 200



          Formed across years of feedback
          between the author and editor, this
          collection of poems begins by visiting
          the holy city of Varanasi with a lover
          and concludes by returning to Varanasi
          to cremate a lover.




          Pragya Vishnoi lives in India and her
          work has been published in Rattle
          Magazine and forthcoming in the
          I-70 Review, Canthius and BoomerLitMag.






Madison Krob’s 




40 in. x 2.25 in.

edition of 200



          "The bunny believes in letting things go."
          This essay jumps between the small
          dreams of sports and art in Midwestern
          small towns and a 200 ft. plush pink
          bunny decaying into the Italien countryside.




          Madison Krob is in the internet-age
          space of storytelling. Her work interacts
          with virtual reality and the weird things
          you find in your grandmother's basement.
          In addition to her website, she can be
          reached visually at @maddykrob
          on Instagram.






Ruth Jeffers’




40 in. x 2.25 in. 

edition of 200



          Three excerpts from "Bodies of Salt"—a
          record of her five months in Palestine as
          a student and volunteer—these brief
          essays are for Emad and Mohammed,
          “who awoke me to the beauty and injustice
          occurring in occupied Palestine. This
          story is for them and every Palestinian
          who showed me endless generosity
          as I witnessed their homeland.”



          Ruth has lived in North Carolina most of
          her life, but she likes to write about the
          times when she didn’t. She currently lives
          in Carrboro and cares for rescued farm
          animals.


Palestinians are humans.








alex benedict’s 




218 in. x 2.25 in. 

edition of 300



          An ode to d.a.levy and Northeast Ohio,
          this poem follows an attempt to return,
          make offerings and listen, visualize
          and take vows, and wander cloud bridges
          or, more often, endless asphalt
          and concrete. Just as levy challenged
          the concrete reality of Cleveland,
          this ode is a struggle to thoroughly
          investigate the reality of the highway
          as a gate of liberation.          



          alex benedict runs betweenthehighway.
          Currently, he lives in the Cuyahoga Valley
          as he writes a full biography of Cleveland
          publisher and poet d.a.levy.












read excerpts of books here







if you are unable to pay, we exchange!
share book exchange ideas with 
betweenthehighway@gmail.com

::: S2 ::: receipts
06-17-2022

Tommy Noell’s
102 in. x 2.25 in. 

         grandfather and former Death Row
         inmate Tommy Noell’s call to action
         for America’s working class

         as well as poems in conversation


reading a poem for Tommy Noell

Tommy Noell’s Return from Falcon Prison: Death Row along an Invisible Street




puddlethumb’s
120 in. x 2.25 in. 

         skandha scaffolds
         based on
Shiraishi Chieko’s Shikawatari
         and Stephen Ratcliffe’s REAL


reading under an underpass




Nick Felaris (CODEX) & puddlethumb’s
112 in. x 2.25 in.

          feedback loop
          between poems and graffiti



reading across from a police station




Joey Puckett’s 
52 in. x 2.25 in. 

         Chapter D.4
         learn how to ROTC binge drink
         not far from Chris Farley’s tomb


reading under an underpass




Alexandre Ferrere’s 

46 in. x 2.25 in. 

         pressing leaves into asphalt
         abandon yourself


reading across from a police station




available excerpts:

          I do not understand! 

          mindloitered mettaboding scarabs

          three refuges & four vows 

          have you been eaten by the hawk?

          rheomode instructions 

          imagine the weight of the highway 








read about our authors
read excerpts of books here




if you are unable to pay, we do exchanges.
share an exchange idea!
betweenthehighway@gmail.com

::: S1 ::: receipts
11-26-2021

beumuth’s apa rtm ent

63 in. x 2.25 in. 

          on the road to rehumanization
          unattending human-capital redeployments



all proceeds to 84,000 translation project 




Nate Hoil’s Returning to Earth with Additional Tools

40 in. x 2.25 in. 

          collage of rebirth stories


reading from across a police station


puddlethumb’s [cattle]

119 in. x 2.25 in. 

          if Buddha's silence empties suffering,
          the slaughterhouse empties language;
          dying piece by piece, cattle's blood
          drains quicker with a beating heart



reading from across a police station




available excerpts:

          BURNING RIVER PERMIT

          Variation on Yoko’s Grapefruit Questionnaire

          NAMU AMIDA BUTSU


          barcodes 

          dialogue from Master Dogen’s Schobogenzo

          one object








read about our authors
read excerpts of books here



if you are unable to pay, we do exchanges.
share an exchange idea!
betweenthehighway@gmail.com


betweenthehighway CCLA 0.4
wherever
visible and invisible
streets meet